January & February 2008
Click on pictures for a larger view.
| Benazir Bhutto is about 16" by 22". The piece is made fence wire and pieces of metal sheet from a microwave oven. After I took this picture, I 'readjusted' her left shoulder and arm, otherwise, she would look a little stoop shouldered. A photo from the internet was used as a model for this sculpture. |
| Woman in Headdress is about 17" by 22." I started this piece last summer when I used a piece of newsprint as a backdrop when spray painting & couldn't just throw the paper in the trash. The paper displayed such an interesting pattern.... The face is made from flattened hanger wire. The frame was made from some wood I picked up at the dump... her face is intended to be somewhat simian & pouty. |
| Weightlifter was made for a friend at my health club. It is about 8" by 12". The base is scrap primavera wood & the figure is cut from 16 gauge scrap sheet steel. The nameplate had it's origin in the transformer of a microwave oven. The wood base has nail holes, knot holes and other 'imperfections' to remind us of it's origin. |
| Wallywire is about 12" by 20" by 7" The wire was cut from a wire 'corral' that was scrounged from a dumpster behind a Wally Mart being demolished. The 'corral' is one of those square wire enclosures that hold stuff for sale in the aisles at Wally Mart. |
| Passionate Hillary is about 15" by 22". The piece is made from hanger wire, fence wire, scrap sheet metal and plastic. The pearls were cut from a microwave oven transformer, formed, then painted. Hillary is the 12th rendering of a Ken Fallin caricature. The caricature appeared in the Wall St. Journal Feb 4, 2008. The tear and star aureole I added. |
| Four Ampersands is about 14" by 26". The red and white symbols were cut from an old stop sign I had around here for 25 years or so. I cut the molding for the frame from some discarded pine shelving and the mat boards,that I cut to size and beveled, were picked up next to a dumpster by the frame shop up the street. Lately, I've become intrigued with the art shown in much of typography. |